The Immersive Worlds of Nicolas Party
Nicolas Party uses familiar genres, unusual colour and exhibition spaces to alter how we look. A closer reading of his images and editions.
Jeremy Deller: The Politics of Joy
Jeremy Deller uses participation, public history and printed statements to make room for debate. What changes when the audience joins the work?
Katherine Bradford: The Radiance of Being
Katherine Bradford’s swimmers inhabit uncertain spaces of water and sky. We look at how colour and the placement of figures create intimacy in her prints.
The Art of Exposure: Tracey Emin
Tracey Emin’s art turns autobiography, handwriting and the exposed body into a language of vulnerability, survival and public address.
Inside the Mind of Yoshitomo Nara
Yoshitomo Nara’s solitary figures can appear tender and confrontational at once. We look at the small choices of line, expression and scale that make them difficult to pin down.
Rashid Johnson at the Guggenheim
A retrospective look at Rashid Johnson’s A Poem for Deep Thinkers at the Guggenheim, with attention to material, scale and the way works spoke to one another in the exhibition.
Bridget Riley Prints: Rhythm, Colour and Perception
How Bridget Riley uses repetition, interval and colour to make perception itself the subject of her prints.