Editorial

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Yayoi Kusama Pumpkin print - collector guide by Dovehouse Contemporary
Artist Editorial

Yayoi Kusama Pumpkin Prints: A Collector’s Guide to Editions and Multiples

How to collect Yayoi Kusama pumpkin prints and multiples, with practical guidance on medium, editions, signatures, condition and provenance.

Andy WarholAndy Warhol Flowers print - collector guide by Dovehouse Contemporary

Andy Warhol Flowers Prints: A Collector’s Guide to the 1964 Icon

A practical collector’s guide to Andy Warhol’s Flowers: the 1964 image, printmaking, catalogue references, signatures, condition and provenance.

Artist EditorialDavid Hockney swimming pool imagery - collector guide by Dovehouse Contemporary

David Hockney Swimming Pool Prints: A Collector’s Guide

How to understand and collect David Hockney’s swimming-pool imagery across prints, editions, posters and artist multiples.

Andy WarholAndy Warhol, Camouflage F. & S. II.412, 1987 screenprint

Andy Warhol’s Camouflage Prints: Pattern, Concealment and Pop Colour

Andy Warhol’s 1987 Camouflage portfolio turns a pattern designed for concealment into eight highly visible screenprints. We examine the suite, its colour, edition structure and the details collecto...

Andy WarholAndy Warhol, Apple from the Ads portfolio, 1985

Andy Warhol’s Ads Portfolio: Brands, Desire and the Art of Selling

Andy Warhol’s 1985 Ads portfolio turned familiar campaigns and corporate symbols into a concentrated study of branding, celebrity and American desire.

Artist EditorialRoy Lichtenstein, Industry and the Arts (II) (C. 86), 1969 — Screenprint

Collecting Roy Lichtenstein Prints and Editions

A considered route into collecting Roy Lichtenstein prints: choosing a subject, checking the edition and buying the best documented impression within budget.

Artist EditorialRoy Lichtenstein, I...I'm Sorry, 1960 — Offset Lithograph

Roy Lichtenstein’s Romance Images

Why Roy Lichtenstein’s romance pictures remain psychologically sharp: emotion is compressed into cropped faces, speech bubbles and the visual grammar of print.