Frank Bowling in Edition: Colour, Memory and the Printed Image
Frank Bowling’s editions translate a practice built on colour, geography and material experiment. We look at works spanning his Map paintings and later abstractions.
Invader Beyond the Street: Prints, Pixels and Rubikcubism
Invader’s practice extends far beyond urban mosaics. From screenprints to Rubikcubism, we examine how the pixel moves between street, paper and object.
Roy Lichtenstein: Pop Art, Comic Books and the Language of Modern Life
Roy Lichtenstein transformed comic-book imagery, Ben-Day dots and commercial printing into one of Pop art’s most recognisable visual languages.
The Connor Brothers: Wit, Fiction and the Art of the Unexpected
The Connor Brothers combine vintage pulp imagery with sharp contemporary text, exploring fiction, identity, humour and the stories people choose to believe.
Christopher Wool & Felix Gonzalez-Torres: The Story Behind The Show Is Over
The story behind Christopher Wool and Felix Gonzalez-Torres’ The Show Is Over, from its 1993 conception to the later Museum Abteiberg printing.
Yoshitomo Nara: Art, Rebellion and the Meaning Behind His Work
Yoshitomo Nara’s solitary figures combine innocence, defiance and emotional complexity. Explore the influences, imagery and editions behind his practice.
David Hockney's Alphabet Series: A Celebration of Imagination, Printmaking and Storytelling
David Hockney’s Alphabet brought together twenty-six letters, writers and original lithographs in one of his most inventive print projects.